CatSynth

The Eigenharp Alpha from Eigenlabs:

The instrument looks a bit like an “electronic bassoon”, but beyond the mouthpiece, long thin shape and wood finish, it is quite different. It has 128 discrete keys that are also sensitive to pressure and motion in two directions, several large heavier keys and continuous controller ribbons. As such, it has the potential to be a very expressive instrument.

There is also a small version, the Eigenharp Pico:

And a new intermediate version, the Tau:

I particularly like the sleeker, modernist design on the Tau.

I did hear some demonstrations, which showed the features of the instrument, but focused on very conventional sounds and performance techniques. There were standard software synthesizers with keyboard and wind control, percussion sounds and beats and patterns controlled by the keys. With so many degrees of freedom and the ability to map different axes of expression to different musical parameters, I would like to see such an instrument used to push musical expression in novel directions.  To this end, it is great to see that they are making their SDK open source.  The first extension I would recommend is an OSC (OpenSound Control) protocol interface.

Jeff Snyder of Snyderphonics poses with the new Snyderphonics Manta, a “a touch-sensitive interface for controlling music or video.”

The Manta has a series of hexagonal sensors with LEDs that can be used as independent controls or together as a large X-Y control surface. I’m always interested in new control surfaces, and wouldn’t mind trying one of these out.

The jamLink from MusicianLink allows musicians to play together from different locations via high-speed internet. Below we see two performers onsite at NAMM jamming with a guitarist in Plano, Texas, which was 1438 miles (2312 km) away:

(Can you spot the obligatory cat in this picture?)

The performance was relatively tight, though one could hear a slight bit of delay or hesitation on the first beat of some measures.

I have actually had a chance to glimpse the jamLink during its development, and would like to use it in the future. At the moment, however, it is doubtful that the network service at CatSynth HQ is up to the task.

Check out more info at Cycling ’74 and Ableton. Also monome.

Perhaps my favorite new instrument of the show, the OP-1 from Teenage Engineering:

Among the attractive features are its small size, the tape mode (shown in the picture above), and the user interface which uses color coding to visually map the parameters being edited to one of the four colored knobs. The color coding was present in all the modes, including the tape mode, the sampler, the pulse-wave synthesizer, envelope generator and others.

I might have bought one had it already been available.

More info at the Teenage Engineering website.

I could definitely see the utility for one of these in my live shows. It is a bit like a Casio SK-1, but with more up-to-date features in terms of ability to control and play samples, including multiple samples, and arranging them into beats and layouts on the keyboard. And of course higher quality sound.

Also, check out the new Kaoscillator Pro:

More at the Korg website.

I thought the setting looked interesting in this photo.

Check out the cat in the Waldof Blofeld product overview.

One of the “destinations” at NAMM is the booth of Big City Music, who always feature an array of analog synthesizers and esoteric musical instruments.

This rack featured modules from Metasonix and Wiard:

I have been interested in getting something from Metasonix for a while. But there also plenty of things to consider on this “toy shelf”:

In the lower left is a circuit bent toy from the Speak and Spell series. Above it are various effects pedals from 4ms Pedals:

The pedals all have very appealing visual designs (especially the Bend Matrix in the foreground), as well as interesting sound. You can hear some clips on their website.

I had a chance to play the Persephone Mark 2 from Eowave:

It featuring a “duophonic ribbon”, which allows one to use two fingers on the ribbon simultaneously to play chords with continuous pitch changes and produce unusual elastic harmonies.

Here we see a Dewanatron, I believe this one is a Hynmotron, with two ribbons for controlling sound:

We have encountered the Dewanatron in a previous post.

We received a professional demo of of the Surfin Step Sequencer from Surfin Kangaroo Studio, including its remote control capabilities:

Finally, we had a chance to try out the new digital simulation of the classic Mellotron synthesizer:

It was set up such that one could play both the original (below) and the new digital simulation prototype (above). The simulation faired quite well in an A/B comparison, including trying to play both simultaneously.

I have been pondering a replacement for my aging Roland A80 keyboard. The VAX77 MIDI Keyboard Controller from Infinite Response seems like a possible candidate:

This was the model with the heavier weighted keys (closer to a piano keyboard). It is one of the first I have seen since the A80 and the Ensoniq keyboards that has polyphonic aftertouch, as well as release velocity. I also liked how it folded down to have size and fit into a bag. It’s still a heavy keyboard, but it’s at least “schlepable”.

One caveat is the controller section, which is handled via the touch screen. I am interested in seeing touch-screen technologies grow in use, but there is a part of me that still wants physical knobs and sliders for my real-time controllers.

Analog control modules (sequencers, triggers, MIDI converters, etc.) from The Lunar Experience:

Also, some video of the trigger module in action: