CatSynth

Just a quick note this afternoon, from Astoria, Oregon. Our second show of the tour (third, if you count 1510 in Oakland) will be here in Astoria tonight, at the Astoria Visual Arts center. And I will also be performing a solo set to open, again with electronics and my folk and toy instruments.

We have posters all over town, and a great write-up in the Coast Weekend, a local paper.

Astoria itself is an interesting little town, at the mouth of Columbia River on the Oregon coast:

The coast highway runs through and north across the river into Washington state.

Here are a few photos from town:

And here is the band at the “Astoria Column”:

Click to enlarge

More on the performance itself after it actually happens. Also, I might go backwards in time to our show and day yesterday in Portland…but in the meantime, Polly has already journaled the first two days of our tour…

So this is a drive I have had on my list for a while. Why, you ask? I don't know really. I guess it's just that it seemed to go nowhere. Actually, it's a country highway that runs approximately along the San Andreas fault in San Benito County, in between mountain ranges. And a quiet fun drive into uncharted territory is exactly what I was looking for.

This scenic yet off-the-beaten-path route runs by Pinnacles National Monument in Northern California. It includes a wide variety of corners, from slow hairpins to fast sweepers, a smooth road surface and scarce traffic. [Forbes]

Highway 25 splits off from 101 just south of Gilroy. Gilroy is famous as the “garlic capital of the world”, but it has also become an exurb of San Jose overrun with subdivisions. Our friend Burbed did Gilroy Week back in March.

Upon landing on highway 25, I was greeted by the “scarce traffic”:

Oh yeah, I forgot. This coming weekend is that big motorcycle thing in Hollister, or more formally the Hollister Motorcycle Rally. The other sleepy farm-town-turned-commuter-town fills up with motorcycles, as well as the people who sit upon them, which of course explained the heavy traffic and the detours around the main party in downtown Hollister:

But it's worth a stop, how often do I find myself surrounded by handsome machines such as these?

Not to mention an interesting breed of people I don't usually encounter. It seems one needs a minimum body-mass index (BMI) to ride Harleys or other large bikes. I even picked up motorcycle-rally T-shirt for $5, figuring it would be very ironic at my next avant-guard electronic music show.

South of Hollister, highway 25 becomes a more bucolic two-lane highway, with only the occasional vehicle (or motorcycle).

Most the land along the highway is scrub ranch land, and rather dry. Really dry, actually. Hopefully no one lights a match. Here are some winter photos of the same area from Wandering Lizard, when things are a lot greener. There is barely any green left in summer, just hills covered in brown grass. One passes the occasional herd of cows and delapidated farm equipment. I can't imagine living out here, far away from any sort of town but without the “abstract emptiness” that makes the desert so attractive.

One industry that does seem to be growing in rural San Benito county is wine growing. Indeed, it is now listed as an official winegrowing region. Certainly, the character and prestige is nothing like the Napa Wine Country, but one does see a lot vines in neat rows amongst the brown hills:

A little further south, one comes to the turnoff for highway 146 and the eastern entrance to Pinnacles National Monument. I had never been to “East Pinncales”, so I took the opportunity to visit and even do a little hiking despite the 105F heat. Actually, it was a good opportunity to see the park without a lot of other people around, and to walk off some that “biker cuisine.” I will be writing about Pinnacles in a separate article.

Highway 25 continues south towards, well, towards nowhere in particular. The farming towns of King City and Coalinga are the main places to note, even though the highway never intersects either of them:

Looks like some has been taking target practice on the distance marker?

Actually, this stretch of the road provided some amazing moments of nothingness, such as these images all from one spot:

Not only is it visually stark and minimal, there was almost no sound. Silence like this is a rare occurence for those of us in more developed metropolitan areas, and when one does find silence, it is always worth stopping to listen. The silence and the landscape together were an amazing experience. I stayed for maybe ten minutes until it was interrupted by…of course, a Harley roaring by.

Highway 25 eventually ends at a very modest junction with Highway 198 somewhere in rural Monterey County.

It seems appropriate to end on such a minimal note. Heading west (right), one eventually reaches highway 101 for the return trip home.

I definitely needed to get out of town today. A change of scenery and activity was in order, plus Santa Cruz becomes a complete tourist trap on sunny weekends like this. So north to the city we rode…Of course, before leaving, I called my mom in New York, and got the change to wish both her and my grandmother a Happy Mothers Day. I hope you all had an opportunity to do the same.

Our main routes into San Francisco are highways 1 and 280, which together form the Junipero Serra Freeway upon entry into the city. This is an amazingly scenic freeway, traversing the largely undeveloped valleys along the San Andreas fault south of San Francisco. 280 splits off to the right to become the Southern Freeway, as illustrated in the map below (pay no attention to the “official” names that no one actually uses).

Usually we take the 280/Southern Freeway route, which crosses highway 101 and empties out in downtown. This time, we stuck with highway 1, which continues north as the Junipero Serra for a few meters before becoming 19th Avenue in the Sunset distrcit. Big mistake. We got stuck in traffic all the way to Golden Gate park. Interestingly, the highway 1 freeway was originally supposed to continue all the way to the Golden Gate Bridge. The stub of the highway 1 freeway and US 101 / Golden Gate Freeway (Doyle Drive) does in fact exist, but is disconnected from the highways in the south of the city:

But they have nothing to do with today’s story. Instead we left highway 1 at Golden Gate Park and headed to the Haight district, home of the Haight/Ashbury neighborhood of 1960s fame, and more recently of Amoeba Music, San Francisco. Amoeba is one of the best brick-and-mortar music retailers left, at least here in California, and they do carry and extensive experimental-music selection. I was there to make sure that my CD Aquatic was part of it. Such is the life of the independent recording musician, I have to physically bring my CD to the stores and get them to take a copy or two. Amboeba did accept it, though there terms are, well, the are what they are.

We also paid a visit to Streetlight Records in the Castro district. I have sold a few CDs at Streetlight Records in Santa Cruz, so why not in San Francisco as well? They took a couple of CDs on the same consignment terms as the Santa Cruz store, which unfortunately reminds me I need to check in with the local shop and see how things are going. While in general these things work out OK, it is the sort of chore that makes me think about signing up with a small indie a label (or a small indie label bigger than my own). Of course, that has its drawbacks as well, not the least of which is being able to do things like the current CD benefit for TeaCup’s family.

In addition to trying to peddle my own music, I always take the opportunity in SF to see other people’s art. Galleries are mostly closed on Sunday, but I did have a few exhibitions I wanted to see at the SFMOMA (San Francisco Museum of Modern Art[/url]. The two main exhibitions were a juxtaposition of works by Pablo Picasso with those of American artists inspired by his work – I had actually seen this exhibition in New York last year – and a retrospective of American artist Brice Marden (who is still very much alive). My critiques the exhibitions there deserve a separate article, which I will probably post tomorrow. The other galleries will probably have to wait until June for another visit…

Again, we usually exit the city at the Sixth Street terminus of 280, but because we were coming from Streetlight in the Castro, we ended up using the 101 / Central Freeway ramp at Market Street and Octavia Blvd. This stub of a freeway used to continue north of Market as the Central Freeway until Oak and Fell Streets heading towards Golden Gate Park. Indeed, all the freeways, except for I-80 to the Bay Bridge all seem to empty out onto city streets.

The tiny bit that remains of the Central Freeway (the section north of Market was recently demolished and converted into Octavia Blvd, see this article at SFGate) was originally designed to connect up to the Golden Gate Freeway (also highway 101) shown in a previous illustration. This, along with the highway 1 freeway (Juniperro Serra extension / Park Presidio Freeway) and the now defunct highway 480 (Embarcadero Freeway) were all supposed to connect to the Golden Gate bridge, but all were cancelled in the 1950s/1960s due to opposition. You can see some of the early plans for San Francisco’s freeway system at California Highways and kurumi. At least one connection between the south, the Bay Bridge and the Golden Gate would have been good, but there really isn’t any way to do that without a nasty tearing apart of neighborhoods along the lines of the Cross Bronx Expressway in New York (one of the freeways in the previously blogged Bruckner Interchange, it just keeps coming back). To bring things back to Mothers Day, my mother grew up in one of the neighborhoods in the central Bronx that was rent asunder by the construction of the Cross Bronx.

In this article I review my performance last night at the plug:dos headphone festival in San Francisco.

First, the venue itself. 5lowershop is in a warehouse near the junction of highways 280 and 101 in San Francisco. It’s at the edge of the Bernal Heights neighborhood.

The venue and its surroundings have that seedy edge-of-the-city feel that I probably wouldn’t want to live in but nonetheless often find intriguing and romantic. It’s just another part of the quintessentially “modern” world.

The interior matches the exterior, a jumble of areas within the warehouse, including the main performance area. The space is quite porous with the outside, and I noticed several cats wander though, including the grey fellow and a small black-and-white kitten. They were presumably feral cats attracted by the warmth, activity and possibility of food. Feral cats are an inevitable part of urban environments, but it’s still heartbreaking to see them this way. I was also concerned for them because of the dogs that were present, fortunately the dogs seemed to be pets and quite mellow.

The atmosphere of people crowded in a warehouse listening to headphones was quite unusual to say the least. Some of the performances were quite interesting, including a serinate for voice and hammer-dulcimer, and of course several acts mixing guitar, analog synthesizers and turntable. The analog synths didn’t strike me as a good fit for headphone performance, and thus avoided them myself (as described in my article on the preparation), but they did a good job of keeping the sound within a reasonable range.

Despite the best efforts of the organizers, whom I liked and thought did a good job overall, things tended to run rather late, and I ended up going on 9:40PM, two hours after my scheduled performance. But I think it went well musically, pretty much meeting my expectations for mixing ambient and rhythmic/punctuated material while keeping things mellow for the headphones. I did bounce around and repeat elements more than I expected, but such is the nature of improvisation, reacting as things unfold.

The equipment (Dell Laptop, Emulator X, E-MU 1616m, E-MU Xboard 25) performed flawlessly. I did make a direct recording on the laptop, and will be posting that shortly. I am also planning to make that the first release in my planned podcast series.

UPDATE: you can now listen to the audio from this performance. Enjoy!