CatSynth

Over the last few days, I have largely been absorbed by preparations for my next performance. This one includes a more ambitious element, a 10-minute video entitled 月神1 featuring clips of Luna as well as abstract elements reminiscent of experimental filmmakers such as Stanley Brakhage or Gerhard Richter. The video will serve as a backdrop for live electronic improvisation – it is mostly silent, though I did include some sound at various points so the audience could hear Luna’s voice.

Here are a few example frames from the video:

Some of the video clips of Luna were featured here on CatSynth in the past, including her chattering video, or playing with her blue fish toy. The abstract elements were done is a software package called Processing, a programming language for images, animation and interactions.

Musically, I will plan to focus on a mixture of the Evolver and the Octave CAT synthesizers, along with software on the iPhone and laptop. Indeed, this is the first time I will be using the CAT live, mostly because I am reluctant to move it too often.

Of course, this will only cover about one third of the full performance, so I will be drawing from my repertoire of electroacoustic improvisation to round out the remainder of the time. Although I reuse elements, there is always something new to discover in them.

For those in the Bay Area who may be interested in checking it out, the full information is below:

Full Moon Concert Series: Quickening Moon
Thursday, February 25, 8PM
Luggage Store Gallery, 1007 Market Street @ 6th Street, San Francisco.

The Full Moon Concert Series is an experimental music series offered by Outsound Presents, in partnership with the Luggage Store Gallery. Each concert explores the traditional lore of the Full Moon, and in January, the second annual “Quickening Moon” will feature new music springing to life. First up will be Amar Chaudhary in a solo electronica set (collaborating with his wonder-cat, Luna), followed by the world premiere of a new work for twelve improvisers by Polly Moller, entitled Genesis.

Check out more info at Cycling ‘74 and Ableton. Also monome.

I am expecting to see several iPhone applications at NAMM, but this one is particularly handy as I start my tour:

It can be used to map the convention halls, search vendors by name, category and location, and “bookmark” them so you can see on the map where you might actually want to go (and thus avoid getting lost in the endless sea of guitars in the middle of the convention center). I was able to quickly put in some of my own priorities as well as those I have followed on matrixsynth and elsewhere.

Well, I am back home at CatSynth HQ in California. That means back home with Luna, of course:

Although she is calm and poised in this photo, it's been all purrs and cuddling today, even while I try to work. Not that anyone is complaining.

Today we enjoyed what I traditionally called the “August sun”, that really deep yellow sunlight that gives everything, but especially green leaves, a rich yellow coloring, that feels warm even as the air cools down. It is difficult to capture in a digital photo, but here is one attempt:

I think I should change “August sun” to “Autumn sun”, since the phenomenon extends well into September and even October. And not only here on the west coast. New York was exceptionally warm and getting plenty of “Autumn/August” sun this past week.

I have been working on several improvements for this site, including upgrading our software. As usual, a few things break in the process (e.g., comment displays were a little off, the “tag search” featured on the highways page and elsewhere was completely broken, our “cats synthesizers music art opinion” slogan was missing, etc.). Those are mostly fixed, and now we can proceed to making actual improvments.

Actually, the main change we need to make is in our hosting service. The good folks at A Plus net (the same people who messed up our domain name and left us stranded in the CatSynth FEMA trailer for a week) let us know that we have exceeded our CPU usage limits (not storage or bandwidth) and will need to switch to a more expensive hosting plan – all in a message from the friendly-sounding “abuse at aplus dot net.” So we could simply upgrade our plan, but since our lease is up on October 7 anyway, it might be a good time to shop around for an alternative. We welcome suggestions from our readers on good and bad experiences with hosts – please leave a comment or contact us. Of course, we have to act quickly on this matter…

Highway 11 in Connecticut is a north-south freeway connecting a major route from Hartford to, well, nowhere. So one moment, you're happily traveling south on a nice country highway, and then the next moment, you better exit before it turns into a large dirt track and ditch. Or at least that's the impression I get, having never been there.

It's quite dramatic, as can be seen in these aerial photos from Greg Amy (we saw a few of his photos before when visiting Yale and New Haven, CT).

It kinda looks like someone just stopped building the highway one day, and forgot to come back and finish. The story, as described on Kurumi's website and other sources, is that the project simply ran out of funding, and then ran into opposition, though it sounds like plans are now in the works to complete highway 11 to the New London area.

However, the details of CT 11 aren't really the focus of this article, but rather it serves as a metaphor for the many unfinished projects here at CatSynth. These include:

Finishing my album 2 1/2. There are a few tracks left from this project last Februrary that need to be replaced before releasing the album. I still think I'd doable by late November, but so far I haven't been able to work much on it during this period of “free time.” Technical problem with my “studio PC laptop” provide at least one excuse.

Although I have been doing work all along on Open Sound World, mostly to support my own music, it's been quite a while since I have done a full-blown release of the software. It's hard to feel motivated when most of the feedback reads like this. However, the core software (minus the old user interface) is really solid and musically useful, and I do plan to announce a new direction for the project “real soon.”

I need to do some revisions to my professional/artistic website. At the very least I need to get the performance schedule updated – fortunately, it is already up at MySpace. The goal is to bring it more in harmony with CatSynth and rest of my websites.

I purchased one of the last Kittenettik Fyrall kits from Ciat Lonbarde, but have yet to assemble it. I guess I've been waiting to find the right “space”, both literally and figuratively, to do this. If I get on it soon, I might have it done in time for Woodstockhausen.

And of course there are several large articles waiting to be completed and published here at CatSynth, particularly CD reviews, film discussions, and travelogues.

But then again, maybe it's not so bad that I'm spending time looking for employment.

First, I have to remind myself to ABC: Always Bring a Camera. I missed several photo opportunities before and during our rehearsal in San Francisco on Wednesday. There were some great shots on the new Central Freeway terminal ramp. And then the “kitty moments” during the rehearsal with Polly Moller and John Moreira. I did snap this cell-phone pic of John Moreira's cat Crescenda rolling around among our cue sheets and amps. She and her fellow cat Pearl joined us several times during the rehearsal, but Crescenda's little act stole the show.

Musically, I had a minimal setup – a subset of what brought to the Skonkathon two weeks ago – just the MacBook, the E-MU 0202 | USB and a MIDI keyboard. The Mac was running the new script-based Open Sound World to process live guitar input. The processing worked quite well, I think, with several wavetables, ring modulation, and a rather nasty little FM algorithm (it's a lot like those distortion-modulation “sound mangler” pedals). Both the guitar and processing needed to fit within pieces with voice, flute and existing electronic material.

UPDATE: You can read Polly's account of the rehearsal and Crescenda here.

The one concern was the frequent OSW crashes – it wasn't a huge problem during the rehearsal because the system can reset itself very quickly (far more quickly than the older UI-centric version), with only a few seconds of dead time. But still, that's not cool. I suspected something related to the MIDI input handling. Fortunately, last night I was able to track down the crashes last night. They were indeed in the MIDI handling, some issues exposed by the multi-processing with the Core2 Duo. Easily found and fixed by playing the patch with a lot of MIDI control, with the laptop and keyboard on the coffee table. Actually, I made some interesting lo-fi music with the built-in mic and speaker and feedback while testing and debugging. This will probably form the basis of my next piece.

Today we celebrate CatSynth's first anniversary.

It's been one year since we posted this photo on July 19, 2006:

The idea came from a friend who said something like “dude, you should do a website about cats and synths.” So I did. Really didn't have too much idea what I would write about. I quickly learned that there was quite an abundance of pictures of cats and synths, and sites like matrixsynth had been collecting such images for a while. Indeed, one of the first external “CatSynth pics” to be posted here was of matrix's own cat JD:

Sadly, we recently learned that JD passed away this month. We offer matrix our sympathies. It's always sad to hear about cat friends passing away (or human friends, for that matter), and we at CatSynth have seen our share this past year.

I expect to post more this evening reviewing the year with photos, not-so-useful stats and the other things we at CatSynth like to think we do well…

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I got up bright and early this morning and headed up to San Francisco WDC 2007, the Apple Developers Conference. This is my first time going, and its pretty aprropriate given the increasing amount of time I am spending on Macs both at work and at home.

So how should I file this article? I could certainly describe my pleasant trip up Highway 1 this morning, enjoying the ocean and avoiding traffic, and file it under “highways.” But it would be far more appropriate to place it under Software, the newest category in the CatSynth portfolio (several previous articles will be tagged with this category as well).

Upon arriving at the Moscone Center, I was greeted by a panhandler who yelled “Bill Gates is a thieving bastard” or something to that effect. I guess somebody did his homework this weekend.

Inside the hall it was, well, crowded. Here we are all somewhere in the main queue to get into the keynote address. I was looking around at the crowd and thinking how could all of us possibly be making a living writing Mac software? Of course, lots of us write software for Windows (and Linux) as well, but the question remains. And the tickets to this event aren't exactly cheap. Though I have to admit the throw in some good schwag, compared to some of the more economy events I have attended. And they even threw in free drinks while we waited in line.

OK so here we are, at the main event, with Steve. He made the obligatory appearances with the CEO of Intel, along with more gratuitous appearances with the leaders of Electronic Arts and id Software to promote the Mac as a gaming platform. But the main attraction, of course, besides Steve himself, was the latest of the “big cats”, Mac OSX 10.5 aka “Leopard”.

We at CatSynth of course have long approved of Apple's “big cat” theme for OSX – though Panther is of course our favorite in that regard. Nonetheless, I happily accepted my beta copy, complete with all the new features including the new “cover view” to browse through your files as 3D objects in a shelf (similar to the already established “cover view” for CD covers in iTunes, etc.), and a the related preview, that pops up a completely usable image of your file (e.g., paging through a PDF or Keynote presentation) without having to actually open your applications in the clunky old way. Like a lot of the showcase features in Mac OSX, these are about aesthetics and being a pleasure to use. One certainly can't argue with that…though I can say from experience that the interior of OSX isn't always that pretty, especially if you're a developer. We'll see how they handle that in the kernel and CoreAudio sessions later this week.

There were also a lot of comparisons, implicit and explicit, to Windows during the presentation, and I found my already low regard for Vista sink even lower. Apple managed to get a single version of the OS to support both 32-bit and 64-bit targets…why did Microsoft have to have separate versions? Just to make my life difficult, having to test everything on four different Microsoft OS's? In general, I get a sense that Apple is gaining ground in the personal computer space (in addition to art, music, video, etc, where it already had a strong position), while Microsoft will remain dominent in the big business space where nobody really cares.

One thing that appears to still be a shortcoming from Apple's technology is Quicktime deployment? Do the really still need Quicktime Pro? And why is it still hard to embed a Quicktime video across all web browsers – YouTube seems to have figured out how to do that. Anyhow, we'll see if this attempt to embed the full Keynote address actually works:

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