Performa 09: Composition for Cello and Brooklyn Queens Expressway

Another piece from Performa: A Ballad of Accounting 2009: Composition for Cello and Brooklyn Queens Expressway, a composition by Alex Waterman with a 16-millimeter film by Elizabeth Wendelbo. I was quite interested to see this piece, given that it combines experimental music, art and highways, three of our interests here at CatSynth!

Waterman lived near the Brooklyn Queens Expressway, or BQE, and was inspired by the sounds of the highway as well as its history. It was part of Robert Moses’ master design for the city’s highways, and winds its way through a narrow corridor in densely packed areas of eastern Brooklyn and Queens. (See this article for more info.) Waterman often walked under the highway, listening to sounds and in particular the harmonics. The piece includes live cello performances near and under the highway, with microphones in the resonant chamber of the cello, as a way of modifying and eradicating the noise of the highway, as if “the cello was eating the highway.”

The video opens along the BQE, along the side, underneath, and riding on the surface, interspersed with images of Waterman carrying or playing his cello near the elevated structures. The music featured long notes set against filtered highway noises. There were lots of drones, often featuring noisy timbres or harmonics, but sometimes more familiar minor tonalities. The visuals included architectural close-ups of the elevated structures – hardly considered among the more picturesque in the city, but still quite interesting. I noticed exit signs for Metropolitan Avenue appearing a few times. One moment that particularly got my attention was a forlorn drainpipe. One could imagine the metallic resonances here, and indeed the sound became more electronic, reminding me a bit of early Xenakis. I also heard sounds that reminded me of more modern granular synthesis. There were also sharp departures from the drones, with very pointed “crackling sounds”, appropriate as the video began to feature rain and water dripping from the pipe.

There is a permanent installation of the piece near Calistoga, CA. I am curious to see it sometime after I return home.

One thought on “Performa 09: Composition for Cello and Brooklyn Queens Expressway

  1. Very interesting. I like the description “the cello was eating the highway.”

    I can imagine how different size/length pipes sound, and the accoustics. Would be interesting to ‘play’ these pipes when there are no cars around.

    The red in the picture makes it look a bit scary though.

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