First Thursday October 2009
It’s been a while since we have a reviewed a First Thursday Art Walk here at CatSynth. It is partly because I have been away the first Thursday of several months, and on the ones that I have been here I felt largely uninspired. However, fall is usually the best season for these events, and several exhibits at 49 Geary did catch my interest this time.
The highlight of the evening was actually the combination of visual art, musical performance and film at Steven Wolf Fine Arts. As I entered, bass clarinetist Jeff Anderle was performing a solo piece. We last saw Anderle at the 2008 Switchboard Music Festival. I then noticed the main visual exhibition Taking Pictures by Nicholas Knight. In these photos, Knight captures gallery viewers in the act of taking photographs of art, particularly with small digital cameras or iPhones. I of course needed to play along and take a photo of his photos of people taking photos of art:
In front of Knight’s work, we see the part of the percussion setup for the next performance by the Magik*Magik Orchestra. The piece by composer David Lang (of Bang on a Can fame) featured flower pots purchased from a hardware and garden-supply store (visible on the lower right of the photograph). However, the pots were very well chosen for intonation and resonance, and the performance had a very harmonic and ethereal quality. The three percussionists also remained very in sync with one other through the long tones. The next piece, which was also by David Lang, was titled Little Eye and featured cello plus percussion. It was a contrast in complexity from the cello and simplicity from the percussionists. The cello melody was very classical or baroque, while the percussionists provided a very modern background texture that featured rubbing on rusted wheels. There were also individual notes on a xylophone and piano/keyboard that added a different texture.
It turns out this performance of David Lang’s works was in support of the soon-to-be-released film (untitled), for which Lang provided the music. The comedy features a new music composer and Chelsea art galleries, and I am quite eager to see it when it comes out.
At the Haines Gallery, I was particularly drawn to the exhibit by Julia Oschatz entitled Odd One Out. The room was painted in a geometric black-and-white pattern, which matched the quality of Oschatz’s largely geometric and abstract drawings on the wall.
The drawings had a very stark quality to them in terms of the shapes and textures. Rather than just abstract geometry, the drawings depicted other worlds. Some seemed to be directly taken from science fiction, others more surreal. There were also several videos featuring a mouse-like character experience all sorts misadventures. On further inspection, I realized that a small version of this character was present in most of the drawings as well. One just had to know to look for it.
Once again, the Elins Eagles-Smith Gallery featured large abstract paintings, this time by Gustavo Ramos Rivera. Rivera’s large canvases are brightly colored and feature large shapes that seem like signs or icons in an unknown language. One can see repeated shapes with different color palettes in each painting. The sculptures that dotted the gallery for the exhibition featured similar motifs and complemented the paintings well.
Aaron Parazette’s paintings at Gregory Lind Gallery seemed reminiscent of Piet Mondrian’s famous neo-plastic works, but with a more varied color palette and some different shapes. The most stark pieces of the evening were Freddy Chandra’s retangular color fields of acrylic, resin and graphite at Brian Gross Fine Art .
We conclude with a very different exhibit that again brings together visual art and music. Fifty Crows Gallery featured the solo exhibition Curse of the Black Gold by photographer Ed Kashi. Perhaps what got my attention more than the photographs themselves was the music of Femi Kuti, son of the legendary Nigerian musician Fela Kuti.
